Author Archive
Proposed Demolitions: NCDC Meeting July 19, 2010
Posted by: | CommentsNEIGHBORHOOD CONSERVATION DISTRICT COMMITTEE AGENDA.
Click here for the agenda.
To share your opinion about the demolition of any of these properties, email ejhoran@cityofno.com and jemunster@cityofno.com.
Results: HDLC Hearing on Proposed Demolitions, July 8, 2010
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Today the Historic District Landmarks Commission reviewed six demolition proposals. Click here for the results.
Results: NCDC Hearing July 6, 2010
Posted by: | CommentsClick here for the results.
Modern Movement Advocacy Growing Nationwide
Posted by: | CommentsSupport for the preservation of modern architecture has been steadily growing across the United States over the past few decades. While the term “modern” generally applies to a wide range of structures built between WWI and the 1970s, the vast majority of our nation’s existing modern buildings were constructed during the boom years following WWII. From monumental Expressionist works such as Eero Saarinen’s TWA Terminal in New York (1962) to modest Lustron Houses scattered through the country, the general mindset in the preservation community and beyond is shifting to acknowledge that these buildings hold an important, valid place in America’s architectural legacy.
Though postwar structures built using modern materials and mechanical systems present unique preservation and reuse challenges, architects, scholars, and advocates nationwide are actively working to expand the body of knowledge concerning their conservation while promoting their significance. The United States branch of the international group DOCOMOMO was established in 1995, followed by the foundation of the Recent Past Preservation Network in 2000. These national organizations are only in addition to the countless community-based groups working to save local modern landmarks throughout the country.
Last year the National Trust launched its own Modernism + The Recent Past initiative, aimed at lobbying for greater protection of modern architecture, supporting grassroots advocacy efforts nationwide, and establishing a system of best practices in this new preservation frontier. Regarding the latter, the Philip Johnson Glass House in New Canaan, Connecticut, owned by the National Trust since 1986, will become a center for the study of modern architecture and materials conservation. The 2009 National Trust Conference in Nashville reflected the growing interest in this field and featured several sessions dealing with the topic. These ranged from talks disseminating proven advocacy strategies, to lectures dealing with the technical side of modern preservation, to discussions about how the unique circumstances of modern buildings call for a reevaluation of some long-accepted preservation practices.
As modern buildings approach the fifty-year age threshold for listing on the National Register they are increasingly eligible for federal and state historic tax credits, the importance of which cannot be overestimated when considering how these buildings might be successfully restored and adapted to current uses. Post-war structures, just like their pre-war counterparts, can and should be rehabilitated into viable homes, institutions, and businesses to aid revitalization and growth in communities nationwide. To ignore such a major part of our county’s architectural history, and the potential it holds for the future, would be a terrible, short-sighted waste.
Though primarily known for its 18th, 19th, and early 20th century architecture, New Orleans is blessed with an incredible stock of modern buildings for a city of its age. Many of these were still in use prior to Hurricane Katrina but have since been abandoned, though an increasing number of local advocates are arguing for their preservation and reuse. Check back for more posts on our city’s modern heritage and what can be done to preserve it for generations to come!
Proposed Demolitions: HDLC Agenda July 8, 2010
Posted by: | CommentsTHE NEW ORLEANS HISTORIC DISTRICT LANDMARKS COMMISSION WILL HOLD ITS NEXT REGULARLY SCHEDULED MEETING ON THURSDAY, JULY 8, 2010 AT 11:30 A.M. IN THE CITY COUNCIL CHAMBERS IN CITY HALL AT 1300 PERDIDO STREET. THE PUBLIC IS WELCOME.
To view the list of properties to be considered for demolition, click here. For the entire agenda, click here.
2010 New Orleans Nine: Police Jail and Patrol Station
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The former Police Jail and Patrol Station at the corner of St. Philip and Dorgenois Streets is next in our series on Louisiana Landmarks Society’s 2010 New Orleans Nine.
At the turn of the 20th century New Orleans was badly in need of infrastructural modernization. Elected in 1899, Mayor Paul Capdevielle took office the following year and brought with him Captain William Joseph Hardee as his City Engineer. Hardee, who would hold this position until his death in 1918, was an active public figure in charge of directing civic improvements from road construction and paving to the installation of the city’s sewer system. He personally designed a number of public buildings, one of which was the Police Jail and Patrol Station in 1902 (unfortunately, LaSalle Elementary from last year’s New Orleans Nine is also his work).
The new jail and substation was built at the same time as the now-demolished House of Detention at Tulane and Broad Street. Both were to assume the functions previously served by a deplorably antiquated prison on St. Peter near the former Carondelet Canal. The smaller Police Jail and Patrol Station at 2552 St. Philip would serve as a satellite for the larger facility.
Progress on the building was highly-anticipated by the community and often covered by the Times-Picayune. Hardee had completed his brick and terra cotta design by April 1902, incorporating elements of the Queen Anne and French Renaissance Revival styles into an eclectic whole. With public expectations running high, he aimed to produce “one of the handsomest, artistically and structurally, of any of the city’s public buildings.” Hardee carefully watched over the jail’s construction, and his insistence on the finest materials both drove up its budget and delayed completion until late 1903. The station occupied the building’s first story, while jail cells were located on its second floor and rear wing.
By 1951 the structure had been converted into a library and community center. Still under city ownership, today it stands vacant. Years of deferred maintenance are taking their toll from plants growing from cracks in the façade to exposure to the elements. The former Police Jail and Patrol Station stands within both the Esplanade Ridge Historic District and the Bayou Road African American Heritage Cultural District, making it eligible for tax credits totaling fifty percent of rehabilitation costs. If the city no longer has need for the building, it should sell it to a private party who can utilize such incentives to put the former jail back to good use. As reported in the April 3, 1902 edition of the Times-Picayune, “Capt. Hardee says he designed the jail for strength [and] durability, [and] proposed placing a building that would be an ornament and to make it spacious and modern so that it would serve future years as well as the present.” To allow the building to continue to stand empty would be a disservice to the Treme neighborhood, as well as a waste of a fine historic resource.
2010 New Orleans Nine: Professor Longhair House
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The Edwardian style two story double shotgun at 1738-1740 Terpsichore Street was the final residence of New Orleans rhythm & blues legend Professor Longhair. The building stands within the Central City Historic District and was nominated for local landmark status first in 2005 and then in early 2010 as one of one hundred Central City properties being submitted for listing as a group by the Historic District Landmarks Commission. Professor Longhair, born Henry Roeland Byrd in 1918, purchased the house in 1979 during a major resurgence in his more than fifty-year musical career and lived there until his death a year later. It ranks among the former homes of Kid Ory, Buddy Bolden, King Oliver, and Jelly Roll Morton in Central City’s rich musical heritage.
Byrd was born in Bogalusa, Louisiana, though his mother soon relocated to New Orleans. As a child, he learned to play the piano on a throw-away instrument in an alley, and after World War II began playing in night clubs around the city. It was during this time that he earned the stage name “Professor Longhair,” or “Fess,” which he held onto for the rest of his career. Over the course of the 1950s he recorded for Mercury and Atlantic Records along with a number of other independent studios, penning a string of rhythm & blues singles. Though “Bald Head” in 1950 was his only major hit outside of New Orleans, songs such as “Tipitina,” “Mardi Gras in New Orleans,” and “Big Chief” defined his “rhumba-boogie” style. His unique blend of Latin rhythms, lilting piano riffs, and dissonant major and minor chords had an incredible influence on the local music scene, defining what is now widely acknowledged as the essential sound of New Orleans rhythm and blues.
Professor Longhair dropped out of the music industry in 1964. He worked various jobs ranging from janitor to card dealer and lived in relative obscurity before organizers of the New Orleans Jazz & Heritage Festival orchestrated his return to performing in 1971. This sparked an almost decade-long era of new recordings and extensive touring through the United States and Europe. New audiences flocked to Professor Longhair’s work while his innovation and influence gained international appreciation.
In 1977 his deteriorating health prompted a group of local fans to establish the now-legendary Tipitina’s at Tchoupitoulas and Napoleon so that he could have a venue in which to comfortably perform. Two years later, Professor Longhair purchased the house at 1738-1740 Terpsichore and made it his home. In 1980 he passed away at age sixty-two at the height of his musical fame.
Professor Longhair was posthumously inducted into the Rock and Roll Hall of Fame in 1992. Those who openly proclaim his influence on their work include such iconic performers as Fats Domino, Allen Toussaint, and Dr. John, and his impact on New Orleans rhythm & blues cannot be overestimated. The Terpsichore house is a tangible connection his life and work and its preservation will ensure that his physical presence within the city will endure. The building is currently exposed to the elements with broken windows and missing doors, and weathering the New Orleans climate without siding. Professor Longhair’s daughter currently owns the house and has plans for its rehabilitation – hopes for her success are running high from fans and interested parties city wide.
Proposed Demolitions: NCDC Agenda July 6, 2010
Posted by: | CommentsNEIGHBORHOOD CONSERVATION DISTRICT COMMITTEE
July 6, 2010
2:00 p.m. City Planning Commission Conference Room
Amoco Building
1340 Poydras Street, 9th Floor
New Orleans, Louisiana, 70112
Click here to view the agenda.
To share your opinion about the demolition of any of these properties, email ejhoran@cityofno.com and jemunster@cityofno.com.
Results: NDCD Hearing June 21, 2010
Posted by: | CommentsOut of an unusually large docket of proposed demolitions, the Neighborhood Conservation District Committee approved 28, denied 3, and deferred 2, while five buildings were withdrawn.
2010 New Orleans Nine: 3619 Camp Street
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The Louisiana Landmarks Society has followed up its 2008 New Orleans Nine listing of custodial cottages citywide with its 2010 single-site listing of 3619 Camp Street. This New Orleans Bracket style shotgun in the Touro Bouligny neighborhood stands adjacent to the 1903 Frank T. Howard #2 School (more recently the New Orleans Free School, now closed) at Foucher and Camp Streets. Built as a speculative real estate investment by carpenter William Stinson in 1889, the home was purchased the following year by John C. Riley. In 1911 Riley’s widow sold 3619 Camp Street to the city of New Orleans, most likely for use as a custodial cottage for the school.
The practice of either purchasing existing nearby homes or constructing them anew so that caretakers could live on-site was common in the Orleans and Jefferson Parish School Districts throughout the late 19th and 20th centuries. Unfortunately, as this practice fell out of favor many custodial cottages were shuttered and left to deteriorate. 3619 Camp has been vacant for some thirty to forty years, while the Orleans Parish School Board has repeatedly refused offers from neighbors wanting to purchase and renovate the property.
Since Hurricane Katrina the district has tried to demolish the home a number of times but, in the face of opposition from concerned individuals, the Touro Bouligny Neighborhood Association, and the PRC, has thankfully failed. With its elaborate brackets, quoins, and door and window-framings intact, 3619 Camp is an excellent example of its style. There is little reason why the house should be demolished in light of the neighborhood’s intense interest in and desire for its rehabilitation; hopefully the Orleans Parish School Board and Recovery School District will come to agree.












